| 《牡丹亭》和《风流梦》比较 |
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| 引用本文： | 李丹.《牡丹亭》和《风流梦》比较[J].菏泽学院学报,2010,32(1):100-103. |
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| 作者姓名： | 李丹 |
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| 作者单位： | 中国戏曲学院戏文系,北京,100073 |
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| 摘 要： | 《牡丹亭》是我国古典戏曲史上一颗璀璨的明珠，根据《牡丹亭》改编的作品为数不少。本文以汤显祖原本《牡丹亭》和冯梦龙的改本《风流梦》作为研究对象，结合二人不同的创作思想、作品风格，从更定题目、角色、宾白、曲词等方面具体分析。冯梦龙对《牡丹亭》的改编，受到了“汤沈之争”的影响，也受到他自己的编剧理论的支配，但更重要的原因是《牡丹亭》原本不利于搬演。《风流梦》让《牡丹亭》这部具有无限才情的“案头之书”变成了“当场之谱”，更适合舞台演出。
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| 关 键 词： | 《牡丹亭》 《风流梦》 改编 编剧理论 |
Comparing the Peony Pavilion and the Romantic Dream |
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| LI Dan.Comparing the Peony Pavilion and the Romantic Dream[J].Journal of Heze University,2010,32(1):100-103. |
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| Authors: | LI Dan |
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| Institution: | Dept.of Drama & Literature;China Drama Academy;Beijing 100073;China |
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| Abstract: | The Peony Pavilion was a brilliant pearl in Chinese classical drama.There are many plays based on it.Taking the Peony Pavilion by Tang Xianzu and the Romantic Dream adapted by Feng Menglong as the subject of study,according to different creative ideas and styles of the two writers,this paper make some specific analysis of the title,role,spoken parts,and lyrics.With the influence of the dispute between Tang and Shen,dominated by his own theory,more important reason that the Peony Pavilion was not fit for the... |
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| Keywords: | the Peony Pavilion the Romantic Dream adapt editorial theory |
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