| 李渔戏剧"宾白"论 |
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| 引用本文： | 窦开虎.李渔戏剧"宾白"论[J].曲靖师范学院学报,2007,26(2):60-63. |
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| 作者姓名： | 窦开虎 |
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| 作者单位： | 西北师范大学,文学院,甘肃,兰州,730070 |
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| 摘 要： | 戏剧是一门综合艺术.作为戏剧语言之一的宾白在剧本构成中占有特别重要的地位,但在实际创作中,"宾白"却一直得不到应有的重视.李渔在前人研究的基础上,结合自己的创作和对家庭戏班悉心教诲的丰富经验,在理论上大力提高宾白在剧本中的地位、提出宾白创作中的几个标准以及对宾白创作的具体办法,形成了他的"宾白"论.
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| 关 键 词： | 古代文学 李渔 戏剧 宾白 |
| 文章编号： | 1009-8879(2007)02-0060-04 |
| 修稿时间： | 2007年1月25日 |
Dissicion on the BinBai of LiYu'Drama |
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| Dou Kaihu.Dissicion on the BinBai of LiYu'Drama[J].Journal of Qujing Normal College,2007,26(2):60-63. |
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| Authors: | Dou Kaihu |
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| Institution: | The Literary Department of Northwest Normal University, Lanzhou, Cransu, 730070 China |
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| Abstract: | Drama is a compensive art.BinBai,as one compose of drame language,has a very importment position in the structures of plays.But dramers hadn't pay enough attention to its value in the practice of creation.On the base of previous studies,Li Yu,according to the creation himself and the experiences of teaching his family theatrical troupe,enhanced the status of BinBai in drame and advanced the standards and specific methods of the creation of BinBai in the theory,which formed his theory of BinBai. |
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| Keywords: | Li Yu drame BinBai |
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