| 对《兄弟》的三种批评模式的批评 |
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| 引用本文： | 王莉. 对《兄弟》的三种批评模式的批评[J]. 大连民族学院学报, 2009, 11(4): 328-330 |
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| 作者姓名： | 王莉 |
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| 作者单位： | 大连民族学院,学报编辑部,辽宁,大连,116605 |
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| 基金项目： | 大连民族学院青年科研基金资助项目,辽宁省社科联基金项目 |
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| 摘 要： | 分析了《兄弟》的批评文章,主要有传统现实主义、文化批评和运用西方理论等三种批评模式在起作用。评价了三者的得失,认为《兄弟》运用超现实的手法,借鉴拉伯雷的怪诞现实主义形式,表达了对文革和改革两个动荡、巨变的时代精神之荒诞性的体认,是一部勇于“写当下”的探索之作。
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| 关 键 词： | 《兄弟》 传统现实主义批评 怪诞批评 文化批评 |
Criticism on the Three Criticism Modes of Brothers |
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| WANG Li. Criticism on the Three Criticism Modes of Brothers[J]. Journal of Dalian Nationalities University, 2009, 11(4): 328-330 |
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| Authors: | WANG Li |
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| Affiliation: | WANG Li(Editorial Board of Dalian Nationalities University,Dalian Liaoning 116605,China) |
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| Abstract: | Critical articles on Brothers are analyzed,which cover the following three modes:traditional realism,cultural criticism and the application of western theories.The merits and demerits of the three criticism modes on Brothers are discussed.It is argued that the use of surrealism technique and the adoption of Rabelais' grotesque realism show the understanding of the grotesqueness as revealed by the two turbulent and changing times during the cultural revolution and reform.Brothers is regarded as a piece of wo... |
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| Keywords: | Brothers traditional realism criticism criticism on grotesqueness cultural criticism |
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