| 云南壮剧的表演艺术形态 |
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| 引用本文： | 黎方.云南壮剧的表演艺术形态[J].文山师范高等专科学校学报,2008,21(1):1-4. |
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| 作者姓名： | 黎方 |
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| 作者单位： | 云南省民族艺术研究所,云南,昆明,650021 |
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| 摘 要： | 云南壮剧既借鉴了广戏等周边剧种的表演艺术，又吸收、融化了本民族的武术、舞蹈动作，还提炼、吸收了大量生活动作。在角色行当划分方面，云南壮剧经历了一个从无到有、由简到繁、繁简并存的历程，到解放前夕，富宁土戏、广南东路沙戏的角色行当划分比较细致，而广南北路沙戏、文山乐西土戏的角色行当划分则比较简略。
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| 关 键 词： | 云南壮剧 表演艺术 角色行当 |
| 文章编号： | 1671-3303(2007)03-0001-04 |
| 修稿时间： | 2007年10月20 |
On the Performing Arts of Zhuang's Drama of Yunnan |
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| LI Fang.On the Performing Arts of Zhuang''''s Drama of Yunnan[J].Journal of Wenshan Teachers College,2008,21(1):1-4. |
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| Authors: | LI Fang |
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| Institution: | LI Fang (Ethnic Art Research Center of Yunnan, Kunming Yunnan 663000, China) |
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| Abstract: | The performing Art of Zhuang＇s drama develops by borrowing that of Guang and other dramas in bordering areas, absorbing and integrating Wushu and dance movements of Zhuang and refining daily movements of large number. Roles division of Zhuang＇s drama have grown out of nothing and expanded from a small to a large amount. Roles are divided with detail in Funing local drama and East Road of Guangnan drama while roughly in the Sha drama of Guangnan North Road and Lexi local drama of Wenshan. |
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| Keywords: | Zhuang＇s drama of Yunnan performing art role |
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