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论书法艺术欣赏的模糊意味及成因
引用本文:王晓斌.论书法艺术欣赏的模糊意味及成因[J].曲靖师范学院学报,2006,25(1):99-103.
作者姓名:王晓斌
作者单位:曲靖师范学院,美术系,云南,曲靖,655011
摘    要:从书法艺术的欣赏、作品文本、书品与人品等不同的角度论述书法艺术在欣赏层面上产生的模糊性以及产生这些模糊性的根源。认为书法的艺术价值就在于它的模糊意味,不可测的审美价值取向必然带来审美的多元化和不确定性,从而导致从古至今对同一书家、同一作品的不同甚至极端的褒贬。书法这一独特的批评现象在其他艺术门类中也不无存在,从而揭示了书法这一“模糊”意味存在的利弊。

关 键 词:书法艺术  欣赏  批评  不可测  模糊意味
文章编号:1009-8879(2006)01-0099-05
收稿时间:2005-10-16
修稿时间:2005年10月16

Fuzziness in Calligraphy Appreciation & Its Causes
Wang Xiaobin.Fuzziness in Calligraphy Appreciation & Its Causes[J].Journal of Qujing Normal College,2006,25(1):99-103.
Authors:Wang Xiaobin
Abstract:The fuzziness in calligraphy appreciation and its causes are explored in terms of calligraphy appreciation, the text of artistic work and the character of both the artistic work and the calligrapher. The paper presents that the artistic value of calligraphy lies in its fuzziness, and that the orientation of aesthetic values is unpredictable and bound to create aesthetic diversity, instability as well as different comment on one identical calligrapher and his calligraphy. The peculiar phenomenon of calligraphy criticism can be seen in other categories of art, thus the merits and demerits existing in calligraphy fuzziness are revealed.
Keywords:calligraphy appreciation  criticism  unpredictable  fuzziness  causes
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