物化于商周青铜器造型与纹饰上的先秦思想观念及其转变

作为礼制重要载体的青铜器 ,其上之人物与动物性纹饰和造型反映出入类思想观念及其转变意向。商周青铜器上的纹饰和造型由神秘走向写实 ,由单调变为多样 ;人物与动物性纹饰和造型中的“人” ,由被动走向主动 ,由配角变为主角 ;这体现了由“天命不僭”到“天命靡常” ,再到“天道远 ,而人道迩”的人本主义思想观念一步一步形成和确立。从“敬虎”到“刺虎”正是这—过程的生动表现

The Sense of Thought and Its Convertion of Pre-Qin Period As Materialized on Models and Decorative Designs of Bronze Wares in Shang and Zhou Dynasties

Bronze wares are the important materialization of protocols in ancient China. The fingers, decoration designs and models reflect human being's sense of thought and the convertion. The designs and models on bronze wares in Shang and Zhou Dynasties experienced the stage from mystique to real life, from monotony to diversity. The "individual" drawn in decorative designs and models then changed from passivity to activity, from supporting actor to main actor and from the belief that the "Heaven's decrees are the limits" to the belife that "Heaven decrees are not constant". What is more is that the humanistic conception--"The God's will is remote while humanism is close at hand " grew and established step by step. The designs on the archaeological bronze "Worshiping tigers" to "Stabbing the tigers" are the vivid demonstration of the process of the convertion.