| 论塔尔柯夫斯基电影的基本意象 |
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| 引用本文： | 李寒阳. 论塔尔柯夫斯基电影的基本意象[J]. 漳州师院学报, 2006, 20(2): 67-72 |
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| 作者姓名： | 李寒阳 |
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| 作者单位： | 漳州师范学院中文系,福建漳州363000 |
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| 摘 要： | 俄国电影大师塔尔柯夫斯基的作品以其深厚的哲学内涵、沉郁的诗意情怀和对现时代人类命运的殷切关注而著称，其强大的精神力量是经由一个独特的、自成一体的电影形象系统体现和传达出采的。这一系统中最重要的基本意象包括：1、梦；2、故乡和家固；3、水与火等，它们都体现了作者强烈的个人风格和复杂深厚的精神内涵。
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| 关 键 词： | 塔尔柯夫斯基 电影 基本意象 |
| 文章编号： | 1004-468X(2006)02-67-06 |
| 收稿时间： | 2006-01-06 |
| 修稿时间： | 2006-01-06 |
The Basic Imagery of Tarkovsky''''s Films |
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| LI Han-yang. The Basic Imagery of Tarkovsky''''s Films[J]. Journal of ZhangZhou Teachers College(Philosophy & Social Sciences), 2006, 20(2): 67-72 |
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| Authors: | LI Han-yang |
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| Affiliation: | LI Han-yang |
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| Abstract: | A. A. Tarkovsky, a great Russian filmmaker, is honored by the deep philosophical context inherent in his films,as well as combination of the poetic with the spectacular, and deep concern for the fate of the human beings. The great spiritual power manifested in Tarkovsky's works is based on the unique imagery system in them. The basic imagery or motives of this system can be described as these elements: 1. dream; 2. home; 3. water & fire. |
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| Keywords: | Tarkovsky films basic imagery |
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