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文学"介入"还是"零度写作"
引用本文:李秀春.文学"介入"还是"零度写作"[J].枣庄师专学报,2007,24(6):50-53.
作者姓名:李秀春
作者单位:淄博科技职业学院基础部 山东淄博255015
摘    要:西方的早期浪漫主义者将作者比喻为"灯",充分肯定作者的想象力,并提出"天才"说;萨特坚持作家"介入"文学,"介入"社会,进一步肯定作家的创作主观性;而巴特,早期坚持"零度写作",希望作家摆脱一切社会道德、意识形态和价值观念的文学创作,追求形式的自由,否定文本的内容和意义,试图建立文学的"语言乌托邦"。晚期的解构主义思想,促使巴特更注重读者对文本的自由解读、拆解、重构,读者成为了文本的手术师。

关 键 词:"介入"  "零度写作"  "作者之死"
文章编号:1004-7077(2007)06-0050-04
收稿时间:2007-09-15
修稿时间:2007年9月15日

Literature Involvement or Zero Degree Writing
LI Xiu-chun.Literature Involvement or Zero Degree Writing[J].Journal of Zaozhuang Teachers' College,2007,24(6):50-53.
Authors:LI Xiu-chun
Abstract:Early western romanticism believers fully acknowledge authors' imagination.They compare them to lights and put up the Genius Theory. What's more,Sartre insists that authors should involve themselves in literature and society.On the other hand,Barthes advocates Zero Degree Writing hoping authors can get free from the influence of varied social norms,ideology and values.He is in the pursuit of freedom in the style.To state clearly,he wishes to set up a language utopia for literature.It is the Deconstruction Theory that drives Barthes to stress more attention on readers role in processing and assembling literature works.
Keywords:involvement  Zero Degree Writing  the absence of authors  
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