| 元明文人南戏论要 |
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| 引用本文： | 许艳文,李良军.元明文人南戏论要[J].长沙大学学报,2003,17(3):10-12. |
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| 作者姓名： | 许艳文 李良军 |
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| 作者单位： | 长沙大学人文系,湖南,长沙,410003 |
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| 摘 要： | 南戏是宋元时期在民间产生和形成的一种戏曲形式，它发展到元末明初便分为民间南戏和文人南戏两途。虽然民间南戏代表着南戏的主流方向，但文人南戏的出现在中国戏曲史上有英特殊的意义和不可替代性，客观上对于明清传奇文学体制的规范和音乐体制的规范均起到了一定的促进作用。
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| 关 键 词： | 文人南戏 成因 思想内容 艺术特色 影响 |
| 文章编号： | 1008-4681(2003)03-0010-03 |
| 修稿时间： | 2003年5月26日 |
On Nan-traditional Drama for Dcholars During the Yuan and Ming Dynasty |
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| XU Yanwen,LI Liangjun.On Nan-traditional Drama for Dcholars During the Yuan and Ming Dynasty[J].Journal of Changsha University,2003,17(3):10-12. |
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| Authors: | XU Yanwen LI Liangjun |
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| Abstract: | Nantraditional drama is a form of drama,which was produced and formed during Song and Yuan Dynasty,It could be divided into Nantraditional drama among the people and Nantraditional drama for scholars in the end of Yuan Dynasty.Though the former became an essential aspect of Nantraditional drama,the latter had special significance and was not substituted in Chinese drama history and gave impetus to the standardization of legend literature and the norm of music system. |
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| Keywords: | Nantraditional drama for scholars reason content artisticcharacteristics effect |
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