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论歌剧重唱的审美特征及其表现形式
引用本文:杨孜孜. 论歌剧重唱的审美特征及其表现形式[J]. 杭州师范学院学报(社会科学版), 2002, 0(2): 117-120
作者姓名:杨孜孜
作者单位:杭州师范学院,音乐艺术学院,浙江,杭州,310012
摘    要:
在西洋歌剧中 ,重唱艺术是一种非常重要的艺术形式 ,其表现形式、作品结构和规模多种多样 ,起到了展开剧情、揭示人物心理、刻画人物性格的作用 ,同时传达出作曲家的审美理念。从巴洛克时代到古典、浪漫直到近现代的一些大作曲家 ,有许多影响深远、脍炙人口的精美的歌剧重唱。分析歌剧重唱的审美特征、表现类型、基本结构 ,探究歌剧重唱艺术的审美特征和其丰富的表现手法 ,从中发掘其特有的艺术价值和美的实质 ,可以为我国的歌剧创作提供参考和借鉴

关 键 词:歌剧重唱  审美特征  类型  结构
文章编号:1000-2146(2002)02-0117-04
修稿时间:2001-12-26

On the Aesthetic Nature of Operatic Ensemble and Its Forms of Representation
YANG Zi|zi. On the Aesthetic Nature of Operatic Ensemble and Its Forms of Representation[J]. Journal of Hangzhou Teachers College(Humanities and Social Sciences), 2002, 0(2): 117-120
Authors:YANG Zi|zi
Abstract:
In Western opera, operatic ensemble is a very important form of artistic representation. It always conveys a composer's aesthetic values in terms of its wide range of forms, compositions and sizes, playing a vital role in the dramatic development of an opera, and the psychological revelation and vivid portrayal of dramatic figures. Most of the celebrated composers of baroque, classic, romantic and modern times wrote good operatic ensembles in their influentially appealing works. An analysis of the aesthetic nature, forms of presentation and compositional structure of Western operatic ensemble can help to promote the creation of operatic works in China.
Keywords:operatic ensemble  aesthetic nature  form  structure  
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