| 论《诗品》"雄浑"风格的审美内涵 |
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| 引用本文： | 杨景生.论《诗品》"雄浑"风格的审美内涵[J].菏泽学院学报,2007,29(4):27-29. |
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| 作者姓名： | 杨景生 |
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| 作者单位： | 济宁学院中文系,山东济宁,272000 |
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| 摘 要： | 司空图《二十四诗品》"雄浑"风格的审美内涵具体呈现为:创作主体具有雄健浑厚的内蓄修养、恢弘豪壮的胸怀气魄和激昂狂放的情感状态;物象选择、意象塑造具有体积空间上的"大"、时间上的"久"和力量上的"刚"的特色;创作主体与创作对象在构思中处于神与物游、物大我亦大的心物和谐的境界。
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| 关 键 词： | 司空图 《诗品》 雄浑 审美内涵 |
| 文章编号： | 1673-2103(2007)04-0027-03 |
| 修稿时间： | 2007年5月28日 |
On the Aesthetic Connotation of the magnificent Style of "Poetry Quality" |
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| YANG Jing-sheng.On the Aesthetic Connotation of the magnificent Style of "Poetry Quality"[J].Journal of Heze University,2007,29(4):27-29. |
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| Authors: | YANG Jing-sheng |
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| Abstract: | The aesthetic connotation of the magnificent style of "Poetry Quality" written by Si Kongtu presents specifically the following features: the creation subjects are well cultured in magnificent connotation,grand spirit and passionate emotion;the choice of objects and the depiction of image are characterized by "bigness" in space,"permanence" in time and "firmness" in strength;the creation subjects and objects are in a harmonious state in the process of conception. |
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| Keywords: | Si Kongtu "Poetry Quality" magnificence aesthetic connotation |
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