| 抽象表现主义艺术研究中形式主义与图像学的理论张力 |
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| 引用本文： | 侯力.抽象表现主义艺术研究中形式主义与图像学的理论张力[J].菏泽学院学报,2014(1):138-142. |
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| 作者姓名： | 侯力 |
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| 作者单位： | 东南大学艺术学院,江苏江宁211189 |
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| 摘 要： | 上世纪四、五十年代,抽象表现主义在美国兴起。这一代表了美国"本土文化"的艺术流派,受到当时美国艺术理论界两个主要传统:形式主义和图像学研究,截然不同的对待。格林伯格等艺术评论家创造了大量理论话语为其辩护,高度赞扬波洛克等人艺术创作中的"现代性";潘诺夫斯基则将其排除在研究视野之外。形式主义和图像学研究间的分歧形成了艺术理论间的张力。
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| 关 键 词： | 抽象表现主义 形式主义 图像学研究 理论冲突 理论张力 |
Theoretical Tensions between Formalism and Iconology Showed in the Study of Abstract-expressionism |
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| HOU Li.Theoretical Tensions between Formalism and Iconology Showed in the Study of Abstract-expressionism[J].Journal of Heze University,2014(1):138-142. |
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| Authors: | HOU Li |
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| Institution: | HOU Li ( Art School, Southeast University, Nanjing Jiangsu 211189, China) |
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| Abstract: | Abstract -expressionism was an significant genre at the 1940s in the United State. This genre,as a representation of American Culture, had been treated very differently by two major theoretical traditions, the formal- ism and the iconology. Clement Greenberg, along with other Formalism critics, created plenty systematic terms to advocate the abstract - expressionism, he also high praised the modernity in abstract - expressionism art. However, Erwin Panofsky viewed this genre as an exception to his iconology. The conflict between formalism and iconology de- veloped series theoretical tensions. |
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| Keywords: | abstract - expressionism formalism iconology theoretical conflict theoretical tension |
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