先唐“连珠”论

作为章表的一个旁枝，早期的“连珠”称得上是言“志”之作。陆机的《演连珠》，因其温润、精微的文辞，绵密透辟的说理，标志着“连珠”已臻于成熟。这也引起后人的摹拟。然而，其拟作因时代变迁、一己遭遇的促发等原因，而逐渐由言“志”向言“情”蜕变。从沈膦士、刘祥，到萧刚都可以明显地看出这种发展脉络。梁代是“连珠”创作的高峰期。其后，庾信集大成，以“赋史”般的笔触，用“连珠”抒发一己沉痛的家国之情。但也由此大大削弱了“连珠”自身存在的价值，“连珠”在事实上的衰落也就不可避免。

Study on Lianzhu before the Tang Dynasty

As a branch of Zhangbiao, early Lianzhu can be called works expressing ambition. Lu Ji＇ s Yan Lian Zhu marked the maturity of Lianzhu by its mild,delicate diction and close,thorough reasoning,which led to later generation＇ s imitation. However,the works imitated gradually turned from expressing ambition to expressing emotion as a result of epochal changs and authors＇ experience,which can be seen from Shen Linshi,Liu Xiang to Xiao Gang. The Liang Dynasty is the summit of Lianzhu. Later, Yu Xin expressed emotions about both home and country by Lianzhu, Which greatly weakened the existential value of Lianzhu itself and the decline of it in reality is in evitable.