陆天明长篇小说《木凸》的叙事情境与技巧

《木凸》运用叙事情境，出于表达意旨的需要，自觉、恰切地进行叙事视角的设置与转换；第一人称叙述、第二人称叙述灵活运用，更加明晰地讲述和展示故事的曲折与人物的个性；专注于“讲述”，又意识强烈地、慎重地“展示”人物的特有内涵。非常精练地体现故事的意旨，突出历史思考；特别注重惊奇和悬念的设置；悬念的解决蕴涵和流露于故事的变化之中，或留下耐人寻味的“谜”；运用排比和反复的叙事话语，强化人物的精神内涵，由此获得明显的叙事效果。

Narrative Circumstances and Skills in the Novel Mu Tu by Lu Tianming

The author, out of the need of expressing the intention. When making use of the narrative circumstances, sets up and changes the narrative angles consciously and properly. The flexible utilization of the first and second narrators shows us more clearly the intricacies, or rather wonders of the story as well as the personalities of the characters. Through the story, not only is the author absorbed in the narration, but also conscious and prudent in the presentation of the particular contents of the characters. Concisely the author embodies the in tention of the story and gives prominence to the historical thinking, besides, he lays stress on the setting up of the wonders and reader involvements. To which the solutions are implied and revealed in the changes of the story, or only becomes a mystery. With the use of parallelism and repetition. The inner spirit of the characters is intensified. And all the above result in an obvios narrative effect.