| 论董其昌绘画理论对汪野亭瓷板画的影响 |
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| 引用本文： | 郑依晴.论董其昌绘画理论对汪野亭瓷板画的影响[J].重庆三峡学院学报,2014(4):71-74. |
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| 作者姓名： | 郑依晴 |
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| 作者单位： | 华中师范大学文学院,湖北武汉430079 |
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| 摘 要： | 以汪野亭山水瓷板画为研究对象,结合董其昌的绘画理论,从汪野亭山水画师古与师造化的创作历程、对以书入画创作手法的继承和＂天真幽淡＂主导下兼擅南北宗山水风格三方面入手,探求董其昌绘画理论对汪野亭山水瓷板画,尤其是其后期独创的青绿山水粉彩瓷画的异代影响,以期为汪野亭瓷板画创作研究提供另一有益角度。
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| 关 键 词： | 董其昌 汪野亭 师古与师造化 以书入画 南北宗 |
The Influence of Dong＇s Painting Theory on Wang＇s Porcelain Painting of Landscape |
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| ZHENG Yi qing.The Influence of Dong＇s Painting Theory on Wang＇s Porcelain Painting of Landscape[J].JOurnal of Chongqing Three Gorges University,2014(4):71-74. |
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| Authors: | ZHENG Yi qing |
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| Institution: | ZHENG Yi qing (School of Literature, Central China Normal University, Wuhan, 430079 China) |
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| Abstract: | This paper studies the Wang Yeting＇s porcelain plate paintings of landscape under Dong Qichang＇s theory of painting.It specifically discusses the influence of Dong＇s painting theory on Wang＇s porcelain painting of landscape from the perspectives of Wang＇s inheritance of the old,＂writing mingled into drawing＂ technique and his excellent command of southern and northern painting styles under the naivety theme.It also researches into the cross-generation influence of Dong＇s painting theory on Wang＇s t landscape paintings,esp.on his turquoise overglaze landscape paintings,which offers another useful perspective for the research of Wang Yeting＇s porcelain plate paintings. |
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| Keywords: | Dong Qichang WangYeting creating experience from facsimile to sketching writing mingled into drawing southern and northern style |
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