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小提琴和弦运弓技巧——以《巴赫无伴奏组曲G小调第一奏鸣曲》为例
引用本文:陈芳.小提琴和弦运弓技巧——以《巴赫无伴奏组曲G小调第一奏鸣曲》为例[J].长春大学学报,2014(11):1627-1629.
作者姓名:陈芳
作者单位:集美大学 音乐学院,福建 厦门,361021
摘    要:巴赫小提琴作品中的多音和弦最能体现作品的巴洛克风格,而这种风格主要通过运弓技巧表达,只有在演奏者技巧纯熟,并深刻理解作品后,才能接近和还原作品风格。本文以《巴赫无伴奏组曲g小调第一奏鸣曲》为研究对象,从运弓的方法、和弦的运弓、作品风格与运弓等三方面分析运弓技巧在演奏中的运用。

关 键 词:小提琴  运弓  和弦  巴洛克

On Bowing Techniques of the Violin Chords-Taking Bach Unaccompanied Suite of G Minor for the First Sonata as a Case
CHEN Fang.On Bowing Techniques of the Violin Chords-Taking Bach Unaccompanied Suite of G Minor for the First Sonata as a Case[J].Journal of Changchun University,2014(11):1627-1629.
Authors:CHEN Fang
Institution:CHEN Fang;College of Music,Jimei University;
Abstract:The multi-tone chords in Bach' violin works embody Baroque style, which is expressed by bowing skills. Only when the play-er has skillful techniques and a deep understanding of the works, can he hold the works' style. This paper, taking Bach Unaccompanied Suite of G Minor for the First Sonata as a case, analyzes the use of the bowing skills in playing the violin from three aspects such as the method of bowing, bowing of chords, as well as works style and bowing.
Keywords:violin  bowing  chord  Baroque
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