| 元代戏剧的圆满之趣及其美学阐释 |
| |
| 引用本文： | 吴宪贞. 元代戏剧的圆满之趣及其美学阐释[J]. 温州大学学报(自然科学版), 2011, 0(4): 78-82 |
| |
| 作者姓名： | 吴宪贞 |
| |
| 作者单位： | 济宁学院中文系,山东曲阜273115 |
| |
| 摘 要： | ＂圆满之趣＂是元代戏剧在剧尾处理上呈现出的一道极为普遍的文化景观。其审美生成是我们民族传统审美意向的外化,是创作主体和消费主体审美意向无限趋同的结果。一方面,它是创作主体在＂自娱＂和＂娱人＂取向下审美意向行为的主观呈现;另一方面,它还是消费主体在市民口味消费期待下审美意向行为的一种潜在诉求。元代戏剧＂圆满之趣＂的呈现是中国古典文学作品审美情趣的一次重大转型,极具民族特色和价值。
|
| 关 键 词： | 元代戏剧 圆满之趣 美学阐释 |
Happy Denouement of Yuan Drama and Its Aesthetic Interpretation |
| |
| WU Xianzhen. Happy Denouement of Yuan Drama and Its Aesthetic Interpretation[J]. Journal of Wenzhou University, 2011, 0(4): 78-82 |
| |
| Authors: | WU Xianzhen |
| |
| Affiliation: | WU Xianzhen(Department of Chinese Language and Literature,Jining University,Qufu,China 273115) |
| |
| Abstract: | Happy denouement is a very popular cultural landscape in treating the end of each Yuan drama.Its aesthetic formation is the externalization of the traditional aesthetic intentions of the Chinese nation and the fruit of increasing aesthetic intentions’ convergence of the creators and audiences.On the one hand,it is the subjective representation of creators’ aesthetic orientation choice in the aim of ＂self-entertainment＂ and ＂entertaining others＂.On the other hand,it is the audiences’ potential aesthetic intention under the expectations of the public taste.Happy denouement of Yuan drama is a major transformation of the aesthetic taste of Chinese classical literature and embodies strong ethnic characteristics and values. |
| |
| Keywords: | Yuan Drama Happy Denouement Aesthetic Interpretation |
| 本文献已被 维普 等数据库收录！ |
|
