| 王船山的生命诗学观 |
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| 引用本文： | 曾玲先.王船山的生命诗学观[J].衡阳师专学报,2008(2):1-4. |
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| 作者姓名： | 曾玲先 |
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| 作者单位： | 衡阳师范学院中文系,湖南衡阳421001 |
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| 摘 要： | 王船山的生命诗学比较全面地关注诗歌活动中包括作者和读者双向主体的价值，既注重从创作主体方面进行审视，又重视从接受主体方面加以观照。这就使其生命诗学观趋于完整性，从而弥补了以往诗学偏重于作者创作方面论诗而忽略在读者接受方面论诗的缺憾。王船山的生命诗学切入到生命的视域，其主旨在于提升诗歌的品位，更好地发挥诗歌的审美教育作用。王船山的生命诗学对“兴观群怨”、“兴会”、“人格”这三个问题都有深刻理解和独到阐释，于此对前人的生命诗学是有所充实和超越的。
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| 关 键 词： | 生命诗学 兴观群怨 兴会作用 人格投入 |
On Wang Chuanshan＇s Life Poetics |
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| ZENG Ling-xian.On Wang Chuanshan＇s Life Poetics[J].Journal of Hengyang Normal University,2008(2):1-4. |
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| Authors: | ZENG Ling-xian |
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| Institution: | ZENG Ling-xian (Chinese Department, Hengyang Normal University, Hengyang Hunan 421001, China) |
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| Abstract: | Wang Chuanshan＇s life poetics is a systematic concern with the mutuality between the writer and the reader in poetry creating, that is, focusing on the subject of creation while taking the acceptance of the reader into account. This view changed the trend of older poetics which leaned diproportionately on the part of the creator. Wang Chuanshan＇s life poetics related itself to life and upgraded the quality and taste of poetry, giving a full play to the aesthetic function of poetry. Wang Chuanshan＇s comments on the emotional catharsis of poetry, subject＇s perfect perception and understanding of objects when in a right modd as well as personality were unique and profound, which added to and transcended what was before him. |
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| Keywords: | life poetics the emotional catharsis of poetry subject＇s perception of objects personality |
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