| 佛教心性论与韩孟诗派创作的主体精神 |
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| 引用本文： | 马现诚.佛教心性论与韩孟诗派创作的主体精神[J].广西民族大学学报,2001(1). |
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| 作者姓名： | 马现诚 |
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| 作者单位： | 广西民族学院中国语言文学学院 |
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| 摘 要： | 佛教禅宗心性论是佛学的核心义理之一 ,旨在启迪人从心灵中寻求“自我意识和自我感觉” ,它强化了人的主体意识和主体精神。这一特征与艺术创作的主体精神有着内在的相互通融和契符。韩孟诗派是中唐最具特征的诗派 ,此派诗人在诗歌创作实践中都表现自我主体意识 ,抒写心性 ,而形成这一创作特征的深层文化思想背景正是佛教禅宗心性论的影响
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| 关 键 词： | 佛教 心性论 韩孟诗派 创作 主体精神 |
The Ideology of the Mind of Buddhism and the Subject Spirit in the Creation of Poetry by the School of Han Yu and Meng Jiao |
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| MA Xian-cheng.The Ideology of the Mind of Buddhism and the Subject Spirit in the Creation of Poetry by the School of Han Yu and Meng Jiao[J].Journal of Guangxi University For Nationalities(Natural Science Edition),2001(1). |
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| Authors: | MA Xian-cheng |
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| Abstract: | The ideology of the mind of Dhyana is one of the key doctrines of Buddhism,which is directed to seek self-consciousness and self-recognition in human mind.This concept strengthens human subject consciousness and spirit,thus an intrinsic connection with the subject spirit of literary creation.The school of Han Yu and Meng Jiao was typical of the mid-Tan Dyansty poetry,their deep cultural background of Dhyana determined the representation of self-subject consciousness and mind as well as soul in the creation of poetry. |
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| Keywords: | Buddhism mind the school of Han Yu and Meng Jiao creation subject spirit |
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