| 浅谈VR电影的声音设计思维 |
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| 引用本文： | 张莹,沈希辰.浅谈VR电影的声音设计思维[J].复旦学报(自然科学版),2017,56(2). |
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| 作者姓名： | 张莹 沈希辰 |
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| 作者单位： | 1. 上海大学上海电影学院,上海,200072;2. SounDoer.com,上海,200233 |
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| 摘 要： | 基于VR电影对空间声的追求,探索了电影声音设计和制作的理念,研究了VR电影中声场呈现和过渡的设计方式,以及语言、音乐和音效在设计上有别于传统电影的方面,提出VR电影声音设计应具备全向思维,可以用声音来主导或推动叙事,其最终目的是营造超真实的幻象世界.
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| 关 键 词： | VR电影 声音设计 思维 |
Sound Design Thinking of VR Film |
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| ZHANG Ying,SHEN Xichen.Sound Design Thinking of VR Film[J].Journal of Fudan University(Natural Science),2017,56(2). |
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| Authors: | ZHANG Ying SHEN Xichen |
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| Abstract: | Based on the pursuit of spatial sound of VR(Virtual Reality) film,the ways of showing and transition of VR film sound field as well as language,music and sound effect design are studied.VR film sound design should have omni-directional thinking,sound could be used to dominate or promote narrative,and the ultimate goal is to create a hyperreality world of illusion. |
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| Keywords: | VR film sound design thinking |
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