| 浅论中国画的形神关系 |
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| 引用本文： | 黄启根. 浅论中国画的形神关系[J]. 漳州师院学报, 2003, 17(3): 77-80 |
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| 作者姓名： | 黄启根 |
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| 作者单位： | 闽南日报社，福建漳州363000 |
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| 摘 要： | 绘画作品中，形与神何为重?这是历代画论十分关注的问题。从创作角度看，我国古代很早就出现了形神兼备的绘画作品。形神兼备、形神统一是中国绘画的审关理想追求。形与神之间的相互统一，形成了具有民族特色的审美特征。
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| 关 键 词： | 中国画 绘画技法 艺术美学 形与神 |
| 文章编号： | 1004-468X(2003)03-77-04 |
| 修稿时间： | 2003-04-08 |
On the Relationship of Form and Spirit in Chinese Pictures |
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| HUANG Qi gen. On the Relationship of Form and Spirit in Chinese Pictures[J]. Journal of ZhangZhou Teachers College(Philosophy & Social Sciences), 2003, 17(3): 77-80 |
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| Authors: | HUANG Qi gen |
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| Affiliation: | HUANG Qi gen |
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| Abstract: | Unity of form and spirit is the aesthetic ideal of Chinese drawing. The unity and interaction of form and spirit form the national aesthetic characteristics. |
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| Keywords: | Chinese pictures drawing skills artistic aestetics form and spirit |
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