| 六祖惠能真身像考论 |
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| 引用本文： | 何露,隋春花.六祖惠能真身像考论[J].韶关学院学报,2012,33(1):10-13. |
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| 作者姓名： | 何露 隋春花 |
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| 作者单位： | 1. 韶关市博物馆,广东韶关,512028
2. 韶关学院旅游与地理学院,广东韶关,512005 |
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| 基金项目： | 韶关市社科联规划项目“慧能在韶州与南禅宗发展研究”（SGSK2010-12） |
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| 摘 要： | 六祖惠能是禅宗史上一个非常重要的人物,他是中国禅宗的真正创建者,被指称为肉身菩萨。惠能坐化后,首开以肉身为胎塑成夹纻真身像的风气,这是与佛教本土化后其葬俗的演变有密切关系。其真身坐像对其身后树立南宗法统地位的运动及佛教肉身崇拜文化产生了深远影响。
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| 关 键 词： | 禅宗 六祖惠能 真身像 夹纻法 佛教葬俗 肉身菩萨 |
Textual Research on Seated Statue of Hui Neng the Sixth Patriarch |
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| HE Lu,SUI Chun-hua.Textual Research on Seated Statue of Hui Neng the Sixth Patriarch[J].Journal of Shaoguan University(Social Science Edition),2012,33(1):10-13. |
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| Authors: | HE Lu SUI Chun-hua |
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| Institution: | 1.Shaoguan Museum, Shaoguan 512028; 2.Faculty of Tourism and Geography, Shaoguan University, Shaoguan 512005, Guangdong, China) |
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| Abstract: | Hui Neng, the Sixth Patriarch, is a very important person and an undoubted creator in the history of the Chan sect, and is regarded as flesh body Bodhisattva. After he passed away while sitting legged, his body was made into a roughcast statue mixed with ramie for the first time in history. This reflects a close-knit connection of the burial custom transmutation after Buddhism indigenization. His seated statue produces far-reaching influences on the culture of Buddhism human body worship and the movement of establishing the authority position of the South Chan Sect after his oar nirvana. |
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| Keywords: | the Chan Sect Hui Neng the Sixth Patriarch seated statue method of mixing with ramie Buddhism burial custom Flesh Body Bodhisattva |
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