词、曲的兴衰及启示

词、曲由兴而衰的过程十分短暂,这一现象反映:词、曲均起源于民间,最初风格质朴而富有生活气息,深受群众喜爱;当词、曲经历了一个从通俗到刻意追求格律、重藻饰、拘韵度的典雅的文人创作流变过程之后,词、曲就失去了通俗性和群众基础,成为文人雅士“掌上玩物“,以至鼎盛后无路可走,旋即衰微.词、曲的兴衰启示我们:当代诗歌也应是写给大众的,内容上要反映社会生活和人们的心声,艺术要符合人们的审美要求.诗如果成为诗人的自我陶醉,最终会走向死胡同.

The Ebb and Flow of "Ci" and "Qu" and Its Enlightenment

The course from rise to decline of ci and song is very short. This reflects: ci and song, loved by the masses, are all from the folk, with the style simple and full of flavor of life. When undergoing the course in which the authors changed their style from popularity to sedulously striving for metrical pattern, ornate diction modification and were scrupulous about rhymes, ci and song lost their populqrity and the masses, becoming the literary men's plaything in the palm. So after prosperity; they had no choice but decline. From this, we should be enlighted: Modern poems should be for the masses, not only the content should reflect the social life and people's opinions, but also the art should be in accordance with people's aesthetic standards. If the poems only were the poets', they would come to an end at last.