论唐代鄱阳湖景观诗歌特色

鄱阳湖景观诗歌发端于东晋,兴于唐代。主要有三个方面的特色：一、水域规模超过前代,隋代以来成为南北往来的重要通途,诗歌创作在更加广阔的背景下展开。二、诗歌的作者多为贬谪、漫游、学道等三种类型,汇聚了有唐一代最优秀的诗人,如李白、孟浩然、白居易、张九龄、刘长卿等。三、主要表现的是自然生态的景观,如鄱阳湖望庐山,湖口观江湖汇合,过鄱阳湖看大孤山、落星石,登松门山,窥石镜;鄱阳湖观候鸟等。唐代景观诗歌最主要特点是亲水性,凡景必有水,这对我们今天开发鄱阳湖旅游景观资源有一定的借鉴意义。

On the Characteristics of Landscape Poetry of the Poyang Lake in the Tang Dynasty

The Poyang lake landscape poetry was originated in the Eastern Jin Dynasty,highly developed in the Tang Dynasty.There are three major characteristics of this kind of poetry.Firstly,the water path had become a major thoroughfare between north and south China,which was the background of these poetries.Secondly,there are mainly three types of poets: exiled,roaming and Taoism-learning,of whom many were the greatest poets in Tang Dynasty,such as Li Bai,Meng Haoran,Bai Juyi,Zhang Jiuling,Liu Changqing and so on.Thirdly,the main objective of the poetry was to praise the natural ecology of the Poyang lake landscape.The principal features of the landscape poetry of the Tang Dynasty were hydrophilous,and the landscape was always associated with water,which also gives us inspiration of how to develop the Poyang Lake for tourism.