| 论中国画造型的观察方法 |
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| 引用本文： | 格桑多吉. 论中国画造型的观察方法[J]. 西藏大学学报, 2004, 19(2): 68-71 |
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| 作者姓名： | 格桑多吉 |
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| 作者单位： | 西藏大学艺术系，西藏拉萨850000 |
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| 摘 要： | 本认为绘画的造型起源于观察，观察的方式决定造型的样式，通过对传统中国画各家各派的散落理论从审美的角度归纳为意象观察方法。从而改变长期以来中国画的教学缺乏明确的写生和观察方法，使中国画有一个明确的观察方法。
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| 关 键 词： | 中国画 造型 观察方法 |
| 文章编号： | 1005-5738(2004)02-0068-04 |
| 修稿时间： | 2003-09-08 |
On the observing method for model in traditional Chinese painting |
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| Gesang Duoji. On the observing method for model in traditional Chinese painting[J]. Journal of Tibet University, 2004, 19(2): 68-71 |
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| Authors: | Gesang Duoji |
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| Abstract: | This article considers that the model in painting comes from observation and the observing method leads to the style of model. It concludes the imagery observing method from aesthetic perspective of various individual theories from the schools of traditional Chinese painting, for an unambiguous method for Chinese painting. |
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| Keywords: | traditional Chinese painting model observing method |
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