| 汉画无盐丑女钟离春体现的审丑意识 |
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| 引用本文： | 高梓梅.汉画无盐丑女钟离春体现的审丑意识[J].南阳理工学院学报,2009,1(5):1-4. |
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| 作者姓名： | 高梓梅 |
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| 作者单位： | 南阳师范学院,文学院,河南,南阳,473061 |
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| 摘 要： | 事物有美也有丑，美与丑的存在决定了人们审丑和审美意识的产生：就汉画“无盐丑女钟离春”来看，中国人受儒家、道家审丑思想的影响，对形式的美与丑并不看重，看重的是寓形之中的“德、神、义”，这种审丑思维意识对于我们今天衡量事物的美丑，有一定的借鉴意义。
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| 关 键 词： | 汉画 丑女 审丑 思维 |
UGLINESS APPRECIATION DEMONSTRATED IN THE STONE GRAVINGS OF ZHONG LICHUN OF THE HAN DYNASTY |
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| GAO Zi-mei.UGLINESS APPRECIATION DEMONSTRATED IN THE STONE GRAVINGS OF ZHONG LICHUN OF THE HAN DYNASTY[J].Journal of Nanyang Institute of Technology,2009,1(5):1-4. |
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| Authors: | GAO Zi-mei |
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| Institution: | GAO Zi-mei ( College of Liberal Arts,Nanyang Normal University,Nanyang 473061,China ) |
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| Abstract: | Everything has both sides of beauty and ugliness, and the co - existence of both sides determines the emergence of people＇ s aesthetic and ugliness appreciations. By observing the image of Zhong Lichun in the stone gravings of Han Dynasty, we may find that Chinese aesthetics is greatly influenced by the thoughts of Confucianism and Taoism. Therefore, the formal beauty and ugliness receive little attention. On the contrary, the morality, divinity and righteousness residing in the form are emphasized. In this case, the idea of ugliness appreeiation has referential significance in today＇s aesthetics. |
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| Keywords: | Stone graving of Han Dynasty Ugly woman Ugliness appreciation Thoughts |
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