| 论阎连科"耙耧小说"中的河洛女性形象 |
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| 引用本文： | 刘保亮.论阎连科"耙耧小说"中的河洛女性形象[J].洛阳大学学报,2005,20(3):17-20. |
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| 作者姓名： | 刘保亮 |
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| 作者单位： | 洛阳大学,文化与传播学院,河南,洛阳,471023 |
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| 摘 要： | 阎连科在对河洛故土耙耧山乡的守望与书写中,塑造了“贤妻”“良母”式的女性形象,既寄寓着作家的女性崇拜心理,又有着鲜明的河洛理学文化意蕴.耙耧女性退守于婚姻家庭,在爱的舞台上独自悲壮地表演,传达出的是浓厚的传统伦理色彩.
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| 关 键 词： | 阎连科 女性形象 贤妻良母 河洛理学 |
| 文章编号： | 1007-113X（2005）03-0017-04 |
| 收稿时间： | 2005-04-10 |
| 修稿时间： | 2005年4月10日 |
On Female Images in Heluo Area in Novel "Palou Stories" by YAN Lian-ke |
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| LIU Bao-liang.On Female Images in Heluo Area in Novel "Palou Stories" by YAN Lian-ke[J].Journal of Luoyang University,2005,20(3):17-20. |
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| Authors: | LIU Bao-liang |
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| Abstract: | In his novel "Palou Stories" , in observing and describing his native land, a mountainous Palou region, YAN Lian-ke created the female images of clever wives and good mothers where it implies not only the writer' s worship of the rural females but also the bright ethics of Heluo regional cultural richness. The females of Palou area withdraw to marriage and family life and perform independendy, heroically and stirringly, which convey the thick traditional ethical features. |
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| Keywords: | YAN Lian-ke female images a clever wife and good mother Heluo Confucian philosophy |
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