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从隋唐时期宫廷燕乐的发展看中国传统音乐的传承与演变
引用本文:刘清明,姜宇丹.从隋唐时期宫廷燕乐的发展看中国传统音乐的传承与演变[J].长春师范学院学报,2006,25(4):162-165.
作者姓名:刘清明  姜宇丹
作者单位:[1]长春师范学院音乐学院,吉林长春 130032 [2]吉林大学艺术学院,吉林长春 130021
摘    要:宫廷燕乐是中国传统音乐发展史上不可缺少的重要组成部分,它曾在隋唐时期达到空前的辉煌.隋唐时期的宫廷燕乐其形式之复杂,其涉及到的地域风格之多样,是从古至今不可多见的.追溯其产生的源头,观察其后世之演变,能够直接地我们研究传统音乐的流变提供启示.

关 键 词:宫廷燕乐  多部乐  二部伎  相和歌  相和大曲  清商乐  胡乐
文章编号:1008-178X(2006)04-0162-04
收稿时间:04 13 2006 12:00AM
修稿时间:2006年4月13日

Inheritance and Development of Chinese Traditional Music from the Development of Palace Conviviality in Sui and Tang Dynasties
LIU Qing- ming , JIANG Yu- dan.Inheritance and Development of Chinese Traditional Music from the Development of Palace Conviviality in Sui and Tang Dynasties[J].Journal of Changchun Teachers College,2006,25(4):162-165.
Authors:LIU Qing- ming  JIANG Yu- dan
Institution:1. Changchun Normal University , Changchun 130032, China; 2. Jilin University, Changchun 130021, China
Abstract:Palace conviviality was an indispensable component on the history of chinese traditional music, it had reached unprecedented brilliance in Sui and Tang dynasties. Palace conviviality of Sui and Tang dynasties had complex forms and variety region styces, which could not be seen more form amcient time till now. Track back to the source which it was producted, observe the development for late are can direct the rheology of tradition music for us.
Keywords:palace conviviality  multipartite music  Niobe skill  xiang he da qu  Qing shang yue  Hu yue
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