| 隋代音乐家郑译及其音乐思想 |
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| 引用本文： | 葛恩专. 隋代音乐家郑译及其音乐思想[J]. 黔西南民族师范高等专科学校学报, 2011, 0(5) |
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| 作者姓名： | 葛恩专 |
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| 作者单位： | 兴义民族师范学院; |
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| 摘 要： | 郑译是开皇乐议中的重要代表人物之一。他在苏祗婆五旦七调基础上,用七声十二律旋相为宫之法创立八十四调理论体系,虽然在当时历史背景条件下,其音乐理论未被采用,但对唐以后的燕乐调及俗乐调产生巨大影响,在中国乐律史上意义深远。
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| 关 键 词： | 隋代 郑译 音乐思想 |
On Musician Zhengyi in Sui Dynasty and His Music Theory |
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| GE En-zhuan. On Musician Zhengyi in Sui Dynasty and His Music Theory[J]. Journal of Southwest Guizhou Teachers College for Nationalities, 2011, 0(5) |
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| Authors: | GE En-zhuan |
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| Affiliation: | GE En-zhuan(Xingyi Normal University for Nationalities,Xingyi,Guizhou 562400,China) |
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| Abstract: | Zhengyiwas one of the important persons of Kai Huang Yue Yi.At the basis of Suzhipo's Wu Dan Qi Diao,he used the method seven and twelve Xuan Xiang Wei Gong,created the eighty-four theory systems.Although his theory was not used at that time,it has great influence to the Tang Dynasty's Yan Yue Diao and Su Yue Diao,and to the Chinese music history. |
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| Keywords: | Sui Dynasty Zhengyi Music Theory |
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