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从"十八描"看历代人物画线描的发展进程
引用本文:邓刚,程心颖.从"十八描"看历代人物画线描的发展进程[J].西昌学院学报(自然科学版),2007,21(2):95-97.
作者姓名:邓刚  程心颖
作者单位:西昌学院,艺术系,四川,西昌,615022
摘    要:线是中国画的主要表现语言,是中国古代传统绘画的主要表现手段,是中国人物画的基础。本文旨在通过对历代优秀艺术家创造的光辉灿烂的线描艺术及其优秀白描作品的论析,以便我们了解人物画线描的发展进程,把握各个历史时期线描的特点,为我们研究古代白描人物画提供一个有益的借鉴。

关 键 词:线描  十八描  历代人物画  发展进程
文章编号:1673-1891(2007)01-0095-03
修稿时间:2007年3月14日

View on the Development Process of Line Drawing of Figure Paingtings of Past Dynasties through "Eighteen Line Drawings"
DENG Gang,CHENG Xin-ying.View on the Development Process of Line Drawing of Figure Paingtings of Past Dynasties through "Eighteen Line Drawings"[J].Journal of Xichang College,2007,21(2):95-97.
Authors:DENG Gang  CHENG Xin-ying
Abstract:Lines are the major expressive language of chinese painting, the main expressive technique of china's ancient traditional painting, and the foundation of chinese figure painting. Through the analysis of line drawings and excellent paintings with line drawing in the traditional ink and brush style, this article aims to let us understand the development process of figure painting and master the characteristics of line drawings of each historical periods, then offers a beneficial reference to us for studying ancient figure paintings with line drawing in the traditional ink and brush style.
Keywords:Line drawing  Eighteen line drawings  Figure paintings of past dynasties  Development process  
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