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锺嵘《诗品》体论探析
引用本文:林英德.锺嵘《诗品》体论探析[J].厦门理工学院学报,2009,17(3):107-112.
作者姓名:林英德
作者单位:华侨大学文学院,福建,泉州,362021
摘    要:体是《诗品》中的一个核心范畴,以体论诗是锺嵘诗歌批评的重要特点。它集中反映了文体论是六朝文学理论与批评的一个热点。但同时应该看到,与前人的谈论相比,锺嵘的体论表现出鲜明的独特性:就对象言,他只论诗体且是五言诗体;从内容上看,他主要从明确体制规范和辨析体貌特点两个方面展开论述;从行文逻辑说,《诗品》序文重在明体制,正文重在辨体貌。剖析锺嵘的体论,既有利于我们更好地把握《诗品》一书的理论体系,又能帮助我们更全面地了解六朝文体论的实况。

关 键 词:《诗品》    范畴  体制  体貌

Zhong Rong's View on Normative Form
LIN Ying-de.Zhong Rong's View on Normative Form[J].Journal of Xiamen University of Technology,2009,17(3):107-112.
Authors:LIN Ying-de
Institution:LIN Ying-de ( College of Humanities, Huaqiao University, Qnanzhou 362021, China)
Abstract:Normative form is a core category to Zhong Rong's Shi Pin, a poetry criticism, and commenting on a poem with normative form is an important characteristic in it with distinct features of his own. On the object, Zhong Rong studied only the Wuyan poem, a certain type of poetry. For the content, he focused on genre norm defining and style characterization. The former is found mostly in the Preface while the latter in the text. Analyzing Zhong Rong's work on normative form helps to gain a better understanding of stylistic study of the Six Dynasties, as well as a better grasp of the theoretical system of Shi Pin.
Keywords:Shi Pin  normative form  category  genre  style
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