| 中国近代美学范畴的时代与民族印记 |
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| 引用本文： | 鄂霞.中国近代美学范畴的时代与民族印记[J].长春师范学院学报,2011(7):120-123. |
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| 作者姓名： | 鄂霞 |
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| 作者单位： | 东北师范大学美术学院 |
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| 基金项目： | 吉林省教育厅“十一五”社会科学研究项目(吉教科文合字[2010]) |
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| 摘 要： | 中国近代社会,是中西文化碰撞融合最广泛的时期,学科意义上的中国美学就是在这样的时代背景下从西方传入的,可以说这是中国美学学科产生的历史与逻辑起点。现代美学理论中具有支撑性意义的美学范畴被引进中国时必然经历一个异质、转化与融合的过程,并体现出鲜明的时代性特征与民族化印记。
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| 关 键 词： | 近代美学 审美范畴 时代性 民族化 |
The Epochal and National Characteristics of Modern Chinese Aesthetic Categories |
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| E Xia.The Epochal and National Characteristics of Modern Chinese Aesthetic Categories[J].Journal of Changchun Teachers College,2011(7):120-123. |
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| Authors: | E Xia |
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| Institution: | E Xia(Academy of Fine Arts,Northeast Normal University,Changchun 130117,China) |
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| Abstract: | The modern society of China was the most extensive period of collision and fusion between Chinese and western cultures,and the discipline of Chinese aesthetics was introduced from the West in this time,which is known as the historical and logical starting point of the discipline of Chinese aesthetics.When the most important aesthetic categories in the modern aesthetics were introduced into China,it inevitably experienced the process of heterogeneous,transformation and integration,and showed the distinct characteristics of times and nationalization. |
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| Keywords: | modern aesthetics aesthetic categories epochal characteristics nationalization |
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