| 歌剧表演艺术的深入思考——从歌剧《归去来》《苍原》《沧海》说起 |
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| 引用本文： | 王辉. 歌剧表演艺术的深入思考——从歌剧《归去来》《苍原》《沧海》说起[J]. 沈阳大学学报：自然科学版, 2008, 20(6): 6-10 |
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| 作者姓名： | 王辉 |
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| 作者单位： | 沈阳大学,音乐学院,辽宁,沈阳,110044 |
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| 摘 要： | 以剧中角色的分析与把握和艺术手段的运用与创造为基点,通过对多年歌剧表演艺术实践的挖掘,阐述了歌剧这一表演艺术形式必须创造栩栩如生的人物形象,达到舞台艺术效果与观众心灵互动,才能展现其艺术魅力和舞台表演价值的理论观点。
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| 关 键 词： | 歌剧 角色 艺术手段 表演艺术 人物形象 舞台艺术 |
Deepish Ponder on Opera Performing Arts: From Three Operas such as GuiLaiQu |
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| WANG Hui. Deepish Ponder on Opera Performing Arts: From Three Operas such as GuiLaiQu[J]. Journal of Shenyang University, 2008, 20(6): 6-10 |
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| Authors: | WANG Hui |
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| Affiliation: | WANG Hui(Music School of Shenyang University,Shenyang 110044,China) |
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| Abstract: | Based on the analysis and grasping of characters and the usage and creating of artistic means,through the excavating of practice of opera performance art for many years,a theoritical view point on opera is presented.It is pointed out that the performance art form of opera should creat real and vivid figures,achieving the interaction between stage art effect and audiences' soul.Then the artistic fascination and stage performance value of opera can be revealed. |
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| Keywords: | opera role artistic means performance art character image stage art |
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