|
|||||
|
|
| 中西方服装结构的文化透视 | |
| 引用本文： | 吴永红,浦海燕. 中西方服装结构的文化透视[J]. 江西科技师范学院学报, 2009, 0(6): 109-112 |
| 作者姓名： | 吴永红 浦海燕 |
| 作者单位： | 南昌大学艺术与设计学院,江西,南昌,330031 |
| 基金项目： | 江西省2008年人文社科课题《中西方女装结构的比较研究》(项目编号JC0805)的阶段性成果;课题主持人:吴永红 |
| 摘 要： | 中西方服装结构从13世纪开始至20世纪初,形成和发展了截然不同的两大服装结构体系,即平面二维体系和立体三维体系。服装作为人类的一种物质财富,承载着深厚的文化内涵,中西方的服装结构形制的不同是有其深厚的文化根源的,哲学观念、衣料文化和文艺思潮等的不同决定了两者结构体系的差异。 |
| 关 键 词： | 中西方 服装结构 平面和立体 文化 |
The Cultural Perspective of Eastern and Western Clothing Structures |
|
| Wu Yonghong,Pu Haiyan. The Cultural Perspective of Eastern and Western Clothing Structures[J]. Journal of Jiangxi Science & Technology Normal University, 2009, 0(6): 109-112 | |
| Authors: | Wu Yonghong Pu Haiyan |
| Affiliation: | Wu Yonghong ＆ Pu Haiyan (Nanchang University, Jiangxi 330031, P.R. China) |
| Abstract: | Eastern and Western clothing structures came into being and developed into two distinct structure systems from the beginning of the 13th century to the early 20th century： two-dimensions and three-dimensions.Clothing as a kind of human material wealth carries a profound cultural connotation,Eastern and Western clothing structures and shapes are different.It has a deep cultural roots,philosophical concepts,material culture and artistic ideas,which decide the differences between the two structures. |
| Keywords: | Eastern and Western the clothing structure two-dimensionsand three-dimensions culture |
| 本文献已被 维普 万方数据 等数据库收录！ | |