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论德勒兹的感觉美学
引用本文:蔡熙.论德勒兹的感觉美学[J].沈阳大学学报,2008,20(5):93-95.
作者姓名:蔡熙
作者单位:广西师范大学,文学院,广西,桂林,541004
摘    要:德勒兹的感觉美学是一种基于感受和感觉的唯物主义美学。感觉是在事物与思维的际遇中,通过色彩、音响、运动、力度、强度、节奏,在时间、空间、身体的全景图中,经由感觉的组合而生成的。感受、生成、感觉三个概念超越了欲望、快感、主体性等审美范畴,挑战了柏拉图以降的思考程式,展示了全新的审美思维范式,从而实现了美学的真正转向。

关 键 词:感觉美学  感受  感觉  生成  际遇

Deleuze: Aesthetics of Sensation
CAI Xi.Deleuze: Aesthetics of Sensation[J].Journal of Shenyang University,2008,20(5):93-95.
Authors:CAI Xi
Institution:CAI Xi (School of Chinese Language and Literature, Guangxi Normal University, Guilin 541004, China)
Abstract:Deleuze 's aesthetics of sensation is aesthetics of materialism based on affect and sensation Sensation is become through bloc of sensation within the panorama of time, space and body, by way of color, sound, movement, intensity, force, rhythm while things encounter thinking. Affect, sensation, becoming, the three concepts are beyond desire, pleasure, and affection, challenging the procedure of thinking since Plato and demonstrating an altogether fresh aesthetic paradigm of thought, hence achieving the true aesthetic turn.
Keywords:aesthetics of sensation  affect  sensation  becoming  encounter
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