| "五乖五合"刍议 |
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| 引用本文： | 刘春梅."五乖五合"刍议[J].重庆三峡学院学报,2002,18(6):85-89. |
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| 作者姓名： | 刘春梅 |
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| 作者单位： | 西南师范大学中文系,重庆,北碚,400715 |
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| 摘 要： | 孙过庭在《书谱》一文中提出了著名的“五乖五合”主客体关系论，从正反两个方面分析了书法艺术创作过程中主客体之间的相互关系，用文中的话说就是：“得时”，“得器”，“得志”三者的关系，即“得时不如得器，得器不如得志”。书法创作只有使主客体互相配合，协调统一，才能达到最佳创作状态，从而心手双畅，创作出上等佳作。
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| 关 键 词： | 孙过庭 书谱 五乖 五合 关系 |
| 文章编号： | 1009-8135(2002)06-0085-05 |
| 修稿时间： | 2002年9月11日 |
On Five Deviations and Five Harmonies in Calligraphy |
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| LIU Chun-mei.On Five Deviations and Five Harmonies in Calligraphy[J].JOurnal of Chongqing Three Gorges University,2002,18(6):85-89. |
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| Authors: | LIU Chun-mei |
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| Abstract: | In his article the Genealogy of Calligraphy, Sun Guoting put forth his famous theory: the subject and object relation of five deviations and five harmonies in calligraphy, which analyzes the object and subject relation in calligraphy artistic creation from positive and negative perspectives. The relation is that the proper time is less important than the proper tools which is less important than the aspiration. Only when the subject and object cooperate and are in harmony can the calligraphy creation reach the best state. |
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| Keywords: | Sun Guoting the genealogy of calligraphy five deviations five harmonies relation |
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