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北宋翰林图画院人员地位与出身考述
引用本文:罗新华.北宋翰林图画院人员地位与出身考述[J].韶关学院学报,2011,32(3):117-119.
作者姓名:罗新华
作者单位:韶关学院,美术学院,广东,韶关,512005
摘    要:北宋翰林图画院人员属于胥吏阶层,其中少数人供职画院若干年后有出职为官的可能,但在等待出职的年限、出职资格、官品、服饰等方面都有诸多限制,授官的图画院人员在经济待遇方面并无明显改善。翰林图画院人员的整体地位低于文臣、武将、内侍官及伎术官中的医官和天文官,但高于中央机构中其他部门的工匠和翰林院其他伎术人。翰林图画院对民间画工具有吸引力,但是善画的文人却很少愿意供职其中,因此,画院人员多出身于民间工匠。

关 键 词:翰林图画院  品阶  出职  待诏  胥吏  伎术官

Research on Social Standing and Origins of Imperial Painting Academy Staff in Northern Song Dynasty
LUO Xin-hua.Research on Social Standing and Origins of Imperial Painting Academy Staff in Northern Song Dynasty[J].Journal of Shaoguan University(Social Science Edition),2011,32(3):117-119.
Authors:LUO Xin-hua
Institution:LUO Xin-hua(School of Fine Arts,Shaoguan University,Shaoguan 512005,Guangdong,China)
Abstract:The Imperial Painting Academy staff in Northern Song Dynasty recruits members by admission,recommendation,recruitment by imperial edict,imperial examination and promotion from folk painters,but it does not rule out the possibilities of admission by guarantee and referral,hereditary system and succession to the ancestral position.
Keywords:Imperial Painting Academy  position  recruitment by imperial edict  promotion from folk painters  succession to the ancestral position  guarantee and referral  
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