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艺术的理由——重申本体论诗学的一种路径
引用本文:徐岱. 艺术的理由——重申本体论诗学的一种路径[J]. 杭州师范学院学报(社会科学版), 2005, 0(1): 1-9,16
作者姓名:徐岱
作者单位:浙江大学,国际文化学系,浙江,杭州,310027
摘    要:
作为对艺术之道进行本体论思考的诗学的命运 ,向来与艺术的价值连在一起。如何重申艺术的理由 ,事关重建现代诗学的逻辑依据。概括地讲 ,尽管面包的意义无须赘言 ,但人不能只靠面包活着这同样无可置疑。这构成了人文艺术最重要的价值依据。艺术文化是人类文明的基础 ,艺术的全部理由就在于 ,人在根本上是一位超越官能欲望与理智需求的审美者。由此呈现出诗学的意义所在 :向诗致敬。

关 键 词:艺术的理由  审美的人  本体论诗学
文章编号:1293/Z(2005)01-0001-09
修稿时间:2004-12-01

The Reason for Art--From the Perspective of Ontological Poetics
XU Dai. The Reason for Art--From the Perspective of Ontological Poetics[J]. Journal of Hangzhou Teachers College(Humanities and Social Sciences), 2005, 0(1): 1-9,16
Authors:XU Dai
Abstract:
In terms of the doctrine of art, the fate of poetics from the ontological perspective has long been associated with the value of art. The rethinking on the reason for art has a great bearing on the logistic proof of reconstructing modern poetics. It is self-evident that we can not live without bread but it is not the only thing of human life. So the latter provides the most important evidence of value for humanistic art. Art culture makes up the foundation of human civilization, for which the exclusive reason lies in the fact that human beings as aesthetes have a sense of beauty for fulfillment of both perceptual desires and rational pursuits.
Keywords:the reason for art  human beings as aesthetes  ontological poetics
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