| 花卉写生的理论与实践研究 |
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| 引用本文： | 谌洪栋.花卉写生的理论与实践研究[J].邵阳高等专科学校学报,2011(2):96-98. |
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| 作者姓名： | 谌洪栋 |
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| 作者单位： | 怀化学院美术系,湖南怀化418008 |
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| 摘 要： | ＂外师造化,中得心源＂是中国画创作的基本理论,同时也确立了花鸟画写生的基本方法,在坚持传统写生＂目识心记＂前提下借鉴西画实地对写的特点与方法,有助于提高花鸟画的品质与画家的创作能力,在写生中坚持以情入画,用心作画,方可感受到艺术创作的成就与快乐。
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| 关 键 词： | 花卉写生 形态 情意 理法 |
Study on Theory and Practice of Flowers Painted from Life |
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| CHEN Hong-dong.Study on Theory and Practice of Flowers Painted from Life[J].Journal of Shaoyang College,2011(2):96-98. |
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| Authors: | CHEN Hong-dong |
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| Institution: | CHEN Hong-dong(Fine Arts Department,Huaihua University,Huaihua Hunan 418008) |
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| Abstract: | ＂Art is the combination of objective real beauty and subjective creative beauty＂ is the basic theory of Chinese paintings.On the premise of insisting on ＂the mix of objective observing and spiritual apperceiving＂,the quality of flower and bird painting and artists＇ creativity can be enhanced through the lessons from the western character and method of field painting.If we insist upon the painting in our affection and spirit,we will experience the successful enjoyment of artistic creation. |
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| Keywords: | flowers painted from life form affection logos |
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