接受美学视角下的创造性叛逆——以美国寒山热为个案

作为一种文艺批评理论,接受美学将研究重点由传统的以作家为中心或以文本为中心转向了以读者为中心,突显了读者在文学作品接受方面的作用。文章以二十世纪五六十年代在美国盛行的寒山热为例,从接受美学的角度提出：接受者和接受环境创造性叛逆的制约因素之一是当时接受环境中的接受者期待视野,并且鉴于期待视野的动态性而具有共时性和历时性。

Creative Treason from the Reception Aesthetic Perspective

As a theoretical perspective under the reader-centered paradigm taken by the literature criticism, the reception aesthetics breaks away from the former author-centered and text-centered paradigms hut introduces a reader-centered paradigm, which highlights the role of the readers in the reception of the literature work. Through an analysis of the Han Shah＇S phenomenon prevalent in America in the 1950s＇and 1960s＇, this essay puts forward that： the Horizon of Expectation is one of the restricting factors of the creative treason of the receptors and the receptor environment and the dynamic nature of the Horizon of Expectation also endows the creative treason both of the receptors and their environment with diachrony and synchronism.