| 浅析书法创作中的“碑”、“帖”结合 |
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| 引用本文： | 王德宝.浅析书法创作中的“碑”、“帖”结合[J].上饶师范学院学报,2014(5):78-82. |
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| 作者姓名： | 王德宝 |
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| 作者单位： | 上饶师范学院,江西上饶334001 |
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| 基金项目： | 上饶师范学院人文社会科学研究课题“师范生学习书法对书法普及教育的意义”（201316）成果; 江西省教育科学“十二五”规划2014年度一般课题“书法教育对大学生积极心理发展的实证研究”（14YB106）成果之一 |
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| 摘 要： | 中国书法在发展历史过程中经历了从帖学到碑学,多少年来以＂二王＂为代表的帖学一直笼罩着中国书坛,直至清代阮元、包世臣、康有为等提倡碑学,为书法的发展开辟了新的道路。但是,书法发展的脚步并没有因此而停滞不前。随后,沈曾植在书法创作中提倡了碑帖结合,这为当代书法创作指明了方向。
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| 关 键 词： | 书法创作 碑 帖 结合 |
An Analysis of Beitie Combination in Chinese Calligraphy Creation |
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| WANG De-bao.An Analysis of Beitie Combination in Chinese Calligraphy Creation[J].Journal of Shangrao Normal College,2014(5):78-82. |
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| Authors: | WANG De-bao |
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| Institution: | WANG De-bao ( Shangrao Normal University, Shangrao Jiangxi 334001, China) |
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| Abstract: | China’s calligraphy has gone from Tie to Bei in the its development .For many years the calligraphy represonted by Wang Xi-zhi and Wang Xian-zhi prevailed in the China’s calligraphy circle until Ruan Yuan ,Bao Shi-chen ,Kang You-wei and oth-ers .advocated Epigraphy in Qing Dynasty and opened up a new way for the development of calligraphy .However ,calligraphy devel-opment did not remain stagnant because Shen Zeng-zhi put forward the combination of rubbings then ,which pointed out the direc-tion of contemporary calligraphy creation . |
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| Keywords: | calligraphy creation ＂Bei＂ ＂Tie＂ combination |
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