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论邓小平传记影像的艺术表达
引用本文:吴凑春.论邓小平传记影像的艺术表达[J].上饶师范学院学报,2014(5):66-69.
作者姓名:吴凑春
作者单位:上饶师范学院,江西上饶334001
基金项目:江西省艺术科学规划项目“当代中国传记片创作现象批评”(YG2013121)阶段性成果之一
摘    要:邓小平传记影像是观照当代中国的一面镜子,也是邓小平研究的组成部分。第一个邓小平银幕形象出自传记片《拔哥的故事》,时为1979年。上世纪80年代中后期,邓小平银幕形象众彩纷呈,其中传记影像更是成为一道独特的风景。邓小平银幕形象经历了一个从无到有,进而逐渐清晰的过程,其传记影像也有着逐渐演变进而追求创新的鲜明特征。邓小平传记影像是中国共产党革命领袖题材文艺创作的重要收获。邓小平传记影像创作遵循了电影的艺术规律和历史真实、鲜活、多角度地表现了传主的性格特征,具有打动观众的力量。

关 键 词:邓小平  传记影像  艺术规律

On the Art of Deng Xiaoping’s Biopic
WU Cou-chun.On the Art of Deng Xiaoping’s Biopic[J].Journal of Shangrao Normal College,2014(5):66-69.
Authors:WU Cou-chun
Institution:WU Cou-chun (Shangrao Normal University, Shangrao Jiangxi 334004, China)
Abstract:Deng Xiaoping’s biopic is a mirror of contemporary China ,as well as a part of the study of Deng xiaoping .The first screen image of Deng Xiaoping was from The Film the Story of Wei Bagun in 1979 .In the mind and late 1980s ,Deng Xiaoping screen images were colorful ,among which his Biopic has become a unique scenery .Deng Xiaoping screen image has undergone a process from scratch to gradual definition and his biopic has also distinctive characteristics of gradual evolution ,and the pursuit of innovation ,and is very important literary achievement in the revolution theme of the Chinese Communist Party leaders .The creation of Deng Xiaoping’s biopic follows the film’s artistic rule and historical reality ,displaying its hero’s personality truely and lively from multi angles ,which can move the audience greatly .
Keywords:Deng Xiaoping  biopic  laws of art
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