| 论道家审美理念对中国绘画发展的影响 |
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| 引用本文： | 孙强.论道家审美理念对中国绘画发展的影响[J].浙江万里学院学报,2012,25(3):59-62. |
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| 作者姓名： | 孙强 |
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| 作者单位： | 蚌埠学院,安徽蚌埠,233000 |
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| 摘 要： | 中国绘画以“澄怀观道”、“含道映物”来体现其美学思想，这就把艺术引向一个从形似到传神，从浓色艳彩到水墨玄色，从技术积累到精神修养的体道过程。中国传统绘画的发展历程实际上就是中国古人由“人”及“道”，最终达到“一”的心路历程。文章从形式、风格及修养三方面入手，对这一过程展开分析。
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| 关 键 词： | 绘画 人物画 山水画 道家 |
On Influence of Taoist Aesthetic Philosophy on Chinese Paintings |
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| SUN Qiang.On Influence of Taoist Aesthetic Philosophy on Chinese Paintings[J].Journal of Zhejiang Wanli University,2012,25(3):59-62. |
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| Authors: | SUN Qiang |
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| Institution: | SUN Qiang(Bengbu College,Bengbu Anhui 233000) |
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| Abstract: | Chinese paintings reflected the aesthetic thoughts by viewing things from the root perspective,thus revealing the truth of the world,switching from concentrating color to ink,from the technical accumulation to the spiritual cultivation.This paper analyzed the evolution of Chinese paintings from the form,style and accomplishments and pointed that the traditional Chinese painting process was actually the development course of the ancient Chinese people. |
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| Keywords: | painting portrait landscape painting Taoism |
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