| 意象神秘主义与具象唯物精神——宗教对中西方传统绘画精神内涵的影响 |
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| 引用本文： | 马兴隆.意象神秘主义与具象唯物精神——宗教对中西方传统绘画精神内涵的影响[J].曲靖师专学报,2014(2):123-125. |
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| 作者姓名： | 马兴隆 |
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| 作者单位： | 曲靖师范学院美术学院,云南曲靖655011 |
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| 摘 要： | 中国将具有时代特征的审美情趣渗透入绘画理论中，使得佛教的文化艺术逐渐中国化，最终融合了道教儒教的文化艺术理念，汇入中原文化的母体之中，成为传统文化的延续和补充。形成了具有意象神秘主义的中国传统绘画理论。而西方的基督教文化及其衍生的具象唯物精神，则根深蒂固地渗透进西方美术理论体系中。中西方绘画理论体系走上了意象神秘主义与具象唯物精神两种截然不同的发展方向，宗教对其精神内涵的影响和形成的作用无疑是巨大的。
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| 关 键 词： | 意象神秘主义 具象唯物精神 绘画精神内涵 基督教文化衍生体 理事圆融 |
Influence of Religion on Chinese and Western Painting |
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| Authors: | Ma Xinglong |
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| Institution: | Ma Xinglong(School of Fine Arts, Qujing Normal University, Qujing Yunnan655011, P. R. China) |
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| Abstract: | The aesthetic interest of Chinese characteristics in Chinese painting theory makes Buddhist culture a part of Chinese culture whose integration with Taoism culture and central Chinese culture becomes the ex- pansion and supplement for traditional Chinese culture, which is the traditional Chinese painting theory of concrete mysterious elements. The western painting theory is based on Christian culture and the scientific spirit of materialism derived from the Christian culture. The influence of religion on the painting theories in Chinese painting and western painting brought about the different developing trends for the paintings. |
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| Keywords: | image of mysterious element spirit of materialism connotation of painting derived parts fromChristian culture integration |
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