| 论清代书坛的反叛潮流 |
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| 引用本文： | 黎传绪.论清代书坛的反叛潮流[J].南昌职业技术师范学院学报,2009(4):100-104. |
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| 作者姓名： | 黎传绪 |
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| 作者单位： | 江西科技师范学院语言文字研究所,江西,南昌,330013 |
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| 摘 要： | “唯美”是中围传统书法发展的主流，实用性和艺术性完美的统一。书法艺术发展到清代．书坛形成了一股强劲的与“唯美”传统书法主流背道而驰的反叛潮流。掀起这股反叛潮流的中坚力量是一批不满于黑暗社会现状、不满于官场腐败的文人。反叛潮流的形成有两个特别值得注意的原因。反叛潮流可以分为两大派：一日实践派．一日理论派。清代书坛出现了中国历史上从来没有过的官场文人书法和在野文人书法分道扬镳并驾齐驱的的局面。反叛潮流的探索开拓兴旺发达，使中国书法艺术突破了自古以来实用性和艺术性密不可分的唯一模式．为中国书法艺术开辟了一条崭新的不受实用性桎梏的纯粹的艺术之路。
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| 关 键 词： | 书法理论 反叛潮流 清代书坛 |
On the Rebelling Trend in the Calligraphy World in the Qing Dynasty |
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| Li Chuanxu.On the Rebelling Trend in the Calligraphy World in the Qing Dynasty[J].Journal of Nanchang Vocational & Technical Techers' College,2009(4):100-104. |
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| Authors: | Li Chuanxu |
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| Institution: | Jiangxi Science and Technology Normal University;Nanchang 330013;P.R.China |
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| Abstract: | "Worshiping beauty"is the mainstream of the development in traditional Chinese calligraphy,and the perfect unity of practicability and artistry.The exploration of the rebelling trend was prosperous so that Chinese calligraphy broke the inseparable mode of practicability and artistry,and has opened up a brand-new artistic road without the shackle of practicability. |
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| Keywords: | calligraphy theory rebelling trend |
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