| 如画 入画——中国山水画写生之我见 |
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| 引用本文： | 刘晓枫.如画 入画——中国山水画写生之我见[J].西安联合大学学报,2011(5):40-42. |
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| 作者姓名： | 刘晓枫 |
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| 作者单位： | 西安文理学院艺术设计系,陕西西安710065 |
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| 摘 要： | 中国山水画取材于自然实景，却不刻意于外在表象。正如唐代张躁所言：“外师造化，中得心源”。跟前“如画”的江山，只是一个参照，呈现于绢素上的林泉丘壑，则完全是画家因形、因势、因情、因境，经由“搜尽奇峰”、“笔参造化”而幻化出来的另一奇异“自然”，即入画的“江山”。
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| 关 键 词： | 如画 入画 笔参造化 不似之似 |
Reflections on Chinese Landscape Painting |
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| Institution: | LIU Xiao - feng (Department of Artistic Design, Xi＇an University of Arts ＆ Science, Xi＇an China, 710065 ) |
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| Abstract: | Through ＇naking scenary＇ or ＇making illusion, Chinese landscape painters created marvelous spectacles beyond the nature. Based on the natural scenery, the Chinese landscape painting is illusory landscape between reality and imaginary, which is just the spirit of the Chinese art. |
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| Keywords: | reality illusion making scenery making illusion |
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