| 荒诞的实质荒诞的现象--兼谈《等待戈多》与《车站》 |
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| 引用本文： | 刘莹.荒诞的实质荒诞的现象--兼谈《等待戈多》与《车站》[J].达县师范高等专科学校学报,2005,15(3):52-54. |
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| 作者姓名： | 刘莹 |
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| 作者单位： | 刘莹（北京师范大学,文学院,北京,100875） |
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| 摘 要： | 荒诞派戏剧是世界文坛的一个重要组成部分,它以其独特的艺术形式赢得了不朽的文学地位.我国在20世纪80年代大规模借鉴西方现代主义思潮的过程中同样出现了具有荒诞形式的戏剧样式,那么,这种荒诞的戏剧样式与真正意义的荒诞戏剧的差别何在?运用比较的方法结合代表作品来初步探究了两者的差别.
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| 关 键 词： | 荒诞派戏剧 "荒诞喜剧" <等待戈多> <车站> |
| 文章编号： | 1008-4886(2005)03-0052-03 |
| 修稿时间： | 2005年3月8日 |
Fantastic Nature and Fantastic Phenomenon: "Wating for Gordo" and "Station" |
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| LIU Ying.Fantastic Nature and Fantastic Phenomenon: "Wating for Gordo" and "Station"[J].Journal of Daxian Teachers College,2005,15(3):52-54. |
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| Authors: | LIU Ying |
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| Abstract: | The fantastic play is an important component in the world literature circle, which occupies an immortal literary position for its unique artistic form. In 1980s China in a large scale introduced western modernist trends of thought and consequently certain fantastic model of play appeared. Hence the discrepancy between this model and real fantastic explored with the contrastive approach in combination with the representative works. |
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