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文学艺术自律——西方前浪漫主义、浪漫主义批评的一个诗学主题
引用本文:杜吉刚.文学艺术自律——西方前浪漫主义、浪漫主义批评的一个诗学主题[J].大庆师范学院学报,2008,28(1):57-60.
作者姓名:杜吉刚
作者单位:南昌大学,中文系,江西,南昌,330031
摘    要:前浪漫主义、浪漫主义批评家是文学艺术自律观念最早的倡导者与实践者。其划定文学艺术活动与人类其他生活领域的边界、确立文学艺术独立性地位的方式主要有两种:一是把作家的创作类比为上帝的创世,并进而发展为“想象说”和“有机说”这一向度;一种是康德与席勒美学的线路。但是,从总体上来看,其批评崇尚想象的自发性、无意识性,而且局限于审美论的探讨,使得前浪漫主义及浪漫主义批评存在着理论上的缺口。

关 键 词:自律观念  前浪漫主义  浪漫主义
文章编号:1006-2165(2008)01-0057-04
收稿时间:2007-06-14
修稿时间:2007年6月14日

Self-discipline of Literature and Art——A Poetic Theme of Western Preromanticism and Romanticism Criticism
DU Ji-gang.Self-discipline of Literature and Art——A Poetic Theme of Western Preromanticism and Romanticism Criticism[J].Journal of Daqing Normal University,2008,28(1):57-60.
Authors:DU Ji-gang
Institution:DU Ji - gang (Chinese Department, Nanchang University, Nanchang 330031,, China)
Abstract:The preromantic and romantic critics are the earliest advocators and practioners of self-discipline of literature and art.There are two ways of distinguishing literature and art activities and other activities of human beings and of establishing the independent position of literature and art.One is to draw an analogy between the work of writers and God's creation of the world,and then to develop it into "imagination theory " and "organic theory".The other is the dimension of Kant's and Schiller's aesthetics.However,there exists a theoretical gap in preromantism and romantism criticism as a whole because of the spontaneous and unconscious advocation of imagination and the limitation of aesthetic theory discussion.
Keywords:idea of self-discipline  preromanticism  romanticism  
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