| 试论西藏当代音乐的产生及发展条件 |
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| 引用本文： | 米玛洛桑,次央.试论西藏当代音乐的产生及发展条件[J].西藏大学学报,2006,21(4):76-78,81. |
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| 作者姓名： | 米玛洛桑 次央 |
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| 作者单位： | 西藏大学艺术学院 西藏拉萨850000 |
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| 基金项目： | 全国艺术科学“十五”规划2005年度课题《西藏艺术研究——西藏当代音乐史研究》阶段性成果,基金号:05BA013 |
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| 摘 要： | 文章围绕西藏社会制度、政治环境、传统文化和对外交流四个层面,对西藏当代音乐的产生与发展问题进行了探讨,认为社会制度的跨越是西藏当代音乐产生与发展的根源,西藏悠久的传统音乐是当代音乐形成与发展的基础,党的文艺方针及党对文艺工作的正确领导是西藏当代音乐赖以发展的政策和组织保障,二十世纪世界文化的空前交流是西藏当代音乐形成与发展的客观条件。
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| 关 键 词： | 西藏当代音乐 产生 发展 条件 |
| 文章编号： | 1005-5738（2006）04-076-03 |
| 收稿时间： | 06 29 2006 12:00AM |
| 修稿时间： | 2006-06-29 |
Conditions for the Formation and Development of Tibetan Contemporary Music |
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| Migma Lobsang,Tseyang.Conditions for the Formation and Development of Tibetan Contemporary Music[J].Journal of Tibet University,2006,21(4):76-78,81. |
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| Authors: | Migma Lobsang Tseyang |
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| Institution: | Art College, Tibet University, Lhasa, Tibet 850000 |
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| Abstract: | The formation and development of a new object has a close connection with certain social,economic and political situations.Referring to the dialectical and historical materialism principles,the essay does a preliminary exploration on the issue of the formation and development of the Tibetan contemporary music from the four aspects: social system,political situation,cultural tradition and the exchanges with the outside world.It is found that the development of social system is the resource of the formation and development of the Tibetan contemporary music,and the Tibetan traditional music the foundation,the Party's policies and correct leadership to the field of arts the guarantee,the unprecedented world-wide cultural exchanges in the 20th century the objective conditions. |
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| Keywords: | Tibetan contemporary music formation development conditions |
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