|
|||||
|
|
| 浅析敦煌420窟隋代壁画的艺术风格 | |
| 引用本文： | 王东芳. 浅析敦煌420窟隋代壁画的艺术风格[J]. 科学之友, 2010, 0(3) |
| 作者姓名： | 王东芳 |
| 作者单位： | 山西戏剧职业学院; |
| 摘 要： | 隋代敦煌石窟艺术具有上承北朝,下启盛唐,包前孕后的过渡性质。在几天的敦煌艺术考察中,笔者认为420窟的隋代壁画很具有典型性。文章从壁画的内容、表现方法、(密体的表现方法)空间构成、藻井图案几方面来分析和阐述420窟隋代壁画的风格特点和她所带来的审美感受。 |
| 关 键 词： | 敦煌石窟艺术 密体 疏体 空间构成 |
Brief Analysis Dunhuang 420 Hole Sui Dynasty Mural Artistic Style |
|
| Wang Dongfang. Brief Analysis Dunhuang 420 Hole Sui Dynasty Mural Artistic Style[J]. Friend of Science Amateurs, 2010, 0(3) | |
| Authors: | Wang Dongfang |
| Affiliation: | Wang Dongfang |
| Abstract: | The Sui Dynasty Dunhuang rock cave art has the deck Northern Dynasty,gets down opens the glorious age of Tang poetry,after before the package,is pregnant the transition nature.In several day-long Dunhuang art inspection,the author thought that 420 holes the Sui Dynasty murals have the typical nature very much.Article from mural content,performance method.The spatial constitution,the caisson ceiling design and the aspect analyze and elaborated 420 hole Sui Dynasty mural's style characteristic and she brings ... |
| Keywords: | dunhuang rock cave art dense body sparse body spatial constitution |
| 本文献已被 CNKI 等数据库收录！ | |